1 00:00:19,200 --> 00:00:16,350 hey everyone my name is Mike and I am 2 00:00:22,710 --> 00:00:19,210 the host of a podcast called our big 3 00:00:26,389 --> 00:00:22,720 dumb mouth obdam and today I'm gonna 4 00:00:29,700 --> 00:00:26,399 talk to you about noise gates and how 5 00:00:35,220 --> 00:00:29,710 they can improve the sound quality of 6 00:00:38,459 --> 00:00:35,230 your podcast I broadcast and record in a 7 00:00:42,630 --> 00:00:38,469 very small room I don't have a lot of 8 00:00:45,000 --> 00:00:42,640 noise padding up and it's an apartment 9 00:00:49,200 --> 00:00:45,010 and so there's a lot of outside noise 10 00:00:51,450 --> 00:00:49,210 and so I have to use noise gates in 11 00:00:54,779 --> 00:00:51,460 order to calm down the background noise 12 00:00:58,500 --> 00:00:54,789 in fact right now I have a fan going in 13 00:00:59,939 --> 00:00:58,510 my room because it's low hot and you 14 00:01:05,790 --> 00:00:59,949 probably can't notice that it's on so 15 00:01:09,090 --> 00:01:05,800 let me turn off the noise gate there it 16 00:01:11,410 --> 00:01:09,100 is the noise gate is off do you hear how 17 00:01:14,469 --> 00:01:11,420 that background noise 18 00:01:16,780 --> 00:01:14,479 yeah it's really annoying and especially 19 00:01:19,180 --> 00:01:16,790 when you have multiple people in the 20 00:01:21,310 --> 00:01:19,190 room or if you have someone on skype 21 00:01:22,899 --> 00:01:21,320 that you're podcasting with you have to 22 00:01:26,320 --> 00:01:22,909 worry not only by your background noise 23 00:01:29,109 --> 00:01:26,330 but their background noise and you guys 24 00:01:31,420 --> 00:01:29,119 yeah I'm not used to not using a nosegay 25 00:01:33,870 --> 00:01:31,430 now it's uh it's harder to get used to 26 00:01:40,540 --> 00:01:33,880 when we turn this thing back on 27 00:01:44,650 --> 00:01:40,550 there we go and boom now I'm using noise 28 00:01:48,010 --> 00:01:44,660 gate on my Korea my DV ax preamp the 29 00:01:51,520 --> 00:01:48,020 power this microphone right here and 30 00:01:53,499 --> 00:01:51,530 this is about a 200 other preamp you 31 00:01:57,719 --> 00:01:53,509 don't have to spend that much money on 32 00:02:02,770 --> 00:01:57,729 it I also have a preamp or I'm sorry a 33 00:02:05,290 --> 00:02:02,780 nose gate down here right here this 34 00:02:07,180 --> 00:02:05,300 barons your compressor which is about a 35 00:02:10,389 --> 00:02:07,190 hundred and twenty dollars it has yeah 36 00:02:11,020 --> 00:02:10,399 I'll turn off this noise gate alright 37 00:02:13,180 --> 00:02:11,030 here we go 38 00:02:19,330 --> 00:02:13,190 that's off and I'll turn on this noise 39 00:02:20,350 --> 00:02:19,340 get down here there we go so I have two 40 00:02:24,520 --> 00:02:20,360 different noise gates going 41 00:02:28,750 --> 00:02:24,530 why well this one's for me and the one 42 00:02:32,170 --> 00:02:28,760 down here is for the rest of my crew who 43 00:02:34,360 --> 00:02:32,180 pretty much live on skype they call them 44 00:02:36,670 --> 00:02:34,370 through Skype and I mix them and they 45 00:02:41,500 --> 00:02:36,680 are taken care of by this noise gate 46 00:02:46,259 --> 00:02:41,510 down here and I use this one up here or 47 00:02:49,000 --> 00:02:46,269 me there we go I'm back to where I was 48 00:02:53,410 --> 00:02:49,010 now there are noise gates that you can 49 00:02:56,440 --> 00:02:53,420 use in post-production it's they're very 50 00:02:58,660 --> 00:02:56,450 handy and the reason why I like because 51 00:03:03,610 --> 00:02:58,670 you can throw a lot of gain through this 52 00:03:05,229 --> 00:03:03,620 microphone and it won't sound like it's 53 00:03:06,759 --> 00:03:05,239 distorted you won't get that background 54 00:03:08,229 --> 00:03:06,769 here I'll throw a lot of game at this 55 00:03:11,650 --> 00:03:08,239 thing you know it'll start to get a 56 00:03:12,370 --> 00:03:11,660 little over driven and if you didn't 57 00:03:13,960 --> 00:03:12,380 have a noise gate 58 00:03:15,729 --> 00:03:13,970 it would probably produce a lot of 59 00:03:19,140 --> 00:03:15,739 feedback but here we go let's let's 60 00:03:22,540 --> 00:03:19,150 throw a lot of game this thing okay a 61 00:03:24,740 --> 00:03:22,550 lot of game is being thrown at this and 62 00:03:27,530 --> 00:03:24,750 you can hear that it's a 63 00:03:30,890 --> 00:03:27,540 I probably went up in volume but it's 64 00:03:33,800 --> 00:03:30,900 it's very distorted it's kind of got 65 00:03:35,030 --> 00:03:33,810 that classic yeah let's crank it up here 66 00:03:38,780 --> 00:03:35,040 we go yeah there we go 67 00:03:42,160 --> 00:03:38,790 and I'll crank up the the the drive and 68 00:03:46,310 --> 00:03:42,170 the and the compressor so now I'm overly 69 00:03:50,330 --> 00:03:46,320 impressed and overly driven and it's 70 00:03:54,860 --> 00:03:50,340 almost that classic 1970s me turn back 71 00:03:58,670 --> 00:03:54,870 down 1970s ever you DJ kind of effect I 72 00:04:00,500 --> 00:03:58,680 saw the the the compressor but the 73 00:04:03,229 --> 00:04:00,510 Northgate allows you to experiment 74 00:04:05,120 --> 00:04:03,239 around with your own tone on your 75 00:04:07,930 --> 00:04:05,130 podcast you want something a little bit 76 00:04:11,090 --> 00:04:07,940 more gritty or do you want something 77 00:04:13,340 --> 00:04:11,100 clean-cut like an NPR sound that goes I 78 00:04:15,560 --> 00:04:13,350 go a little more gritty I like the over 79 00:04:16,970 --> 00:04:15,570 driven kind of ultra compressed sound I 80 00:04:18,949 --> 00:04:16,980 have a lot of compressors have a 81 00:04:21,110 --> 00:04:18,959 compressor right here that I I do some 82 00:04:24,380 --> 00:04:21,120 additional post-production work with a 83 00:04:26,300 --> 00:04:24,390 multiband compression using VST plugins 84 00:04:29,750 --> 00:04:26,310 in sound Forge and maybe I'll do another 85 00:04:33,950 --> 00:04:29,760 video on that and how to dial in your 86 00:04:37,310 --> 00:04:33,960 sound that you want with free plug-ins 87 00:04:38,900 --> 00:04:37,320 that you can get on the web that's it I 88 00:04:43,159 --> 00:04:38,910 think that's all I got for today that is 89 00:04:46,010 --> 00:04:43,169 the importance of noisy so I'll put it 90 00:04:47,990 --> 00:04:46,020 on again here we go the the noise gate 91 00:04:51,200 --> 00:04:48,000 is being bypassed and bypassed 92 00:04:55,719 --> 00:04:51,210 everything and you can hear the 93 00:04:59,750 --> 00:04:55,729 background noise we go noise gets on 94 00:05:02,420 --> 00:04:59,760 saves you and it just increases the 95 00:05:04,370 --> 00:05:02,430 quality of your podcast that much more 96 00:05:07,370 --> 00:05:04,380 so when people tune in for the first 97 00:05:09,140 --> 00:05:07,380 time they go hey these people have their 98 00:05:11,150 --> 00:05:09,150 [\h__\h] together I'm gonna continue 99 00:05:13,580 --> 00:05:11,160 listening I'm not saying that happens to 100 00:05:15,680 --> 00:05:13,590 me but it might happen for you alright 101 00:05:16,790 --> 00:05:15,690 wait thanks for watching and hopefully 102 00:05:18,680 --> 00:05:16,800 you learned a little something about